Volume 23 no. 1
2000

Keywords: Music, World, China, Acoustics, Aesthetics, Music Theory, Orchestration, Structure, Formal Design, Composition, Analysis, Musicology, History, Criticism, Musicians, Musical Instruments, Instrumental Music, Theater, Dance, Cultural Relics, Performance

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ORCHESTRAL MUSIC & MUSICIANS

4 "Galloping on the Prairie" and "Ma-An Mountain Overture": The Brilliance of He Wu-qi
"Galloping on the Prairie" is the best work for the bamboo flute and the Chinese orchestra. The "Ma?An Mountain Overture" became the best concert opening piece during the golden era of the Shanghai Traditional Orchestra. What happened to the Shanghai Orchestra after He Wu-qi. Shen Sin-yan reviews the progress of those golden years and calls for commitment to reestablishing the unique sound of the Shanghai Traditional Orchestra.

Shen Sin-yan

Keywords:  Musicians, China, World, Recording Review, History & Criticism, Musical Compositions, Performance


MUSICOLOGY & REGIONAL MUSIC

12 Zhangkhap Singers of Yunnan Province
Enjoy the temple concerts! At monk ordinations, temple openings, and on Buddhist holidays, monks at Tai temples also invite singers to perform on temporary stages erected in temple courtyards. Here, audiences see zhangkhap on the same program as rock bands and kung fu movies.

Sara Davis

Keywords:  Musicology, Yunnan Province, China, Minority Nationality, Vocal Music, Instrumental Music, Performance

16 THE CHINESE CLASSICAL ORCHESTRA PROGRAM SHEN SIN?YAN, MUSIC DIRECTOR


COVER:

Zhou Dongchao, suona artist of the Central Broadcasting Chinese Orchestra (Photo by Shao Ying, CMSNA)



MUSIC THEORY

18 Is It Time that the Flatted II of Minor Enters into Key Signatures?
The Flatted II of Minor reinforces the trend towards the tonic and constituted the leading note above tonic. It's time that its musical acoustics be propagated and the flatted II enters into key signatures.

Hu Yaohua

Keywords:  Music Theory, China, World, History & Criticism, Musical Compositions, Performance

WORLD WIDE WEB

Chinese Music Society of North America
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THE CHINESE MUSIC INTERNATIONAL NETWORK 1969-2001
Committed to the Creation of an Artistic Climate for the Advancement of Music as an Art as well as a Means to Further Human Understanding, the Chinese Music Society of North America Serves Members in 150 Countries on Five Continents.
 
 

Chinese Music International Journal | Chinese Music Society of North America